Isabel Hofmeyr is Professor of African Literature at the University of the Witwatersrand and Global Distinguished Professor at New York University. She has worked extensively on the Indian Ocean world and oceanic themes more generally. Recent publications include Gandhi’s Printing Press: Experiments in Slow Reading (2013) and a special issue of Comparative Literature (2016) on “Oceanic Routes”, co-edited with Kerry Bystrom.


Charne Lavery is a researcher based at WiSER, Wits. She completed her DPhil at the University of Oxford, and has worked as a lecturer in the Department of English at the University of Cape Town. Her research is in oceanic literary studies, particularly literary and cultural representations of the Indian, Southern and deep oceans.


Anézia António Asse is an MA student at WiSER and the Wits School of Arts. She completed a BA in Archaeology and Cultural Heritage Management at Eduardo Mondlane University. Her research project is provisionally titled “The statue of the snake woman”: interpreting an urban fallism in a WWI memorial in Maputo city. In 2015 and 2017 she was a member of the member of Slave Wreck Project network and contributed to the documentation of the underwater cultural heritage at Mozambique Island. She is also the author of the current underwater cultural heritage management plan for Mozambique Island.


Confidence Joseph is a PhD student at WiSER and the Department of African Literature. She completed her MA in African Literature at the University of the Witwatersrand. Her research project is on hydrocolonialisms, calling attention to how contemporary artists imaginatively engage with both the surface and the 'seaness' of the sea using both literary and visual narratives from South Africa and Mozambique. Her other research interests are in colonial and postcolonial Zimbabwean Literature and Gender Studies.


Zoe Neocosmos is an Honours student at WiSER and the Department of African Literature. She completed a BA in English Literary studies and Classical Civilization at Rhodes University. Her research project is provisionally titled 'Narratives of Yvette Christiansë’s Unconfessed', and she is also/otherwise does/is interested in Transnational Literary Studies, Spoken Word and Classical studies, specifically mythology.


Mapule Mohulatsi is an MA student at WiSER and the Department of African Literature. She completed a BA in African Literature and Publishing at the University of the Witwatersrand. Her research project is provisionally titled: “Bodies in Water: Literary Bathymetry and the Oceans Emergent Futures”; she also otherwise dabbles in short story writing, freelancing in the publishing world as well as locating second hand bookstores.


Oupa Sibeko is an MA student at WiSER and Wits School of Arts, Division of Fine Arts focusing on oceanic humanities; mainly focusing on the practice of bottling sea water in black South African culture, the use of sea water in art-making and the different ways of knowing sea water. Holding a BA Performing and Visual Arts, Honours African Literature and Creative Writing, Sibeko is a performance artist, theatre-maker and writer. Oupa was awarded a Richard Haines all-rounded performer award by the Wits University Humanities Faculty 2014. He has taken part in group shows in Namibia at the National Art Gallery of Namibia, IVAHM Spain, Artist Proof Studios, JMAC Gallery, Room Gallery, Wits Art Museum, The Freezer Hostel and Theatre in Iceland and Greatmore Studios in Cape Town. Sibeko works predominantly in the medium of video and performance. Sibeko is an independent artist. He lives and works in Johannesburg.

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Euclides Gonçalves is a researcher and director at Kaleidoscopio: Research in Public Policy and Culture, in Mozambique, as well as a research associate at the Wits Institute for Social and Economic Research (WiSER)  in South Africa. His ethnographic research examines public encounters with bureaucratic power through the analysis of the performativity of documents. Currently, he is also coordinating a cultural heritage project that explores the meanings of memory associated with the Indian Ocean and the Slave Trade. 


Margaret Cohen is the Andrew B. Hammond Professor of French Language, Literature and Civilization at Stanford University, where she is jointly appointed in Comparative Literature and English. Throughout her career, Professor Cohen has explored the literature and culture of modernity. In her most recent book, The Novel and the Sea (2010), she revealed the impact of the ship’s log and the history of writing about work at sea on the development of the modern novel. She is currently completing a book on the history of underwater film, examining how the modern imagination of the depths has been shaped by science and technology enabling people to view a hitherto inaccessible realm as well as to exhibit its conditions on land.


Elizabeth DeLoughrey is a Professor in the English Department and at the Institute for the Environment and Sustainability at the University of California, Los Angeles. Her work has long engaged with concepts of the oceanic (or blue) humanities, tidalectics (Kamau Brathwaite), and “a sea of islands” (Epeli Hau`ofa). She is the author of Routes and Roots: Navigating Caribbean and Pacific Island Literatures (University of Hawai`i Press, 2007), a book that is organized around the land-sea “tidalectic,” and more recently has written about “sea ontologies” as well as a new oceanic turn for the 21st century (“Submarine Futures of the Anthropocene,” 2017). She has a book forthcoming about climate change and the literary and visual arts entitled Allegories of the Anthropocene (Duke UP), and is co-editor of the interdisciplinary open-access journal, Environmental Humanities.


Alexandra Ganser is Professor of American Literary and Cultural Studies and Executive Director of the Centre for Canadian Studies (ZKS) at the University of Vienna. Her research interests include mobility studies, popular culture, gender studies, transatlantic American studies, and ecocriticism. Her publications include Pirates, Drifters, Fugitives: Figures of Mobility in American Culture and Beyond (ed. with Heike Paul & Katharina Gerund, 2012), while her current book project examines transatlantic representations of piracy before the Civil War and is titled Crisis and Discourses of (Il)Legitimacy in Transatlantic Narratives of Piracy, 1678-1865 (forthcoming with Palgrave Macmillan).


Lesley Green is director of Environmental Humanities South, and Associate Professor of Anthropology in the School of African and Gender Studies, Anthropology and Linguistics at the University of Cape Town, South Africa. Her work focuses on the intersection of science studies, anthropology and philosophy in the anthropocene, and her current research work spans fisheries, energy policy, and ecological modelling. Her new book Rock, Water, Life: Science, Environmentalism and Decoloniality in South Africa is coming out in 2018.


Ashleigh Harris is Associate Professor at the Department of English, Uppsala University. She is currently working on a monograph on sub-Saharan African novels of the 2000s, which focuses on how economic, environmental and epidemic forces are shaping the novel’s aesthetics, form, and function on the African continent today. Harris is primary investigator in the research project ‘African Street Literatures and the Future of Literary Form’ (2017-2020), financed by the Swedish Research Council.


Stephanie Jones is an Associate Professor in English at the University of Southampton. She works on texts about the Indian Ocean, and within the inter-discipline of law and literature. Her publications include papers on poetry, human rights, and imperial law; the politics of marine metaphors; the poetics of maritime law; fictional and historical piracy and privateering; literary and legal belonging; and East African and South Asian literatures. She is currently writing a book about pirates.


Bénédicte Letellier is Associate Professor in Comparative Literature at the University of La Réunion since 2008. Her research is mainly devoted to the comparative study of Arabic, European and, more recently, Indian Ocean literatures. Since 2016 she is series editor-in-chief of Non Western Literatures at the Editions Connaissances et Savoirs. Her publications include Thinking the Fantastic in an Arab Context (Paris: Honoré Champion, 2010) and a French translation of an essay written by the Arab poet Adonis, Al-Sufiyya wa al-suryaliya (Soufisme et surréalisme, Paris: Editions La Différence, 2016).


Suvendrini Perera is John Curtin Distinguished Research Professor in Cultural Studies and Deputy Director of the Australia-Asia-Pacific Institute at Curtin University, Australia. She has published widely on issues of social justice, including decolonization, race, ethnicity and multiculturalism, refugee topics, critical whiteness studies and Asian-Australian studies. She is the author/editor of seven books, including Australia and the Insular Imagination: Beaches, Borders, Boats and Bodies and Survival Media: The Politics and Poetics of Mobility and the War in Sri Lanka. She is a founding member of Researchers Against Pacific Black Sites.


Meg Samuelson joined the Department of English & Creative Writing at the University of Adelaide as a lecturer in 2017, after having held positions as an associate professor at the University of Cape Town and Stellenbosch University in South Africa. Samuelson has published widely in South African and southern African literary and cultural studies. Samuelson’s current research and teaching interests include Anthropocene thought, coastal and maritime literary and cultural studies, critical theory and literary debates, Indian Ocean studies, the southern hemisphere, world literatures and women's writing.


Tina Steiner is an Associate Professor in the English Department at Stellenbosch University. She is the author of Translated People, Translated Texts: Language and Migration in Contemporary African Literature (St. Jerome, 2009) and co-edited the special issue ‘Critical Perspectives on Abdulrazak Gurnah’ of the journal English Studies in Africa. Her research areas comprise eastern and southern African Literature, Indian Ocean Studies and Migration Studies, and she is currently working on a book on narratives of eastern and southern African cosmopolitanisms in the Indian Ocean world.

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